USC Pacific Asia Museum


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46 North Los Robles Avenue
Pasadena, California 91101
Open Wednesday through Sunday 10am to 6pm
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CURRENT EXHIBITIONS

Opens This Friday

 

 

USC Pacific Asia Museum is proud to present a variety of exhibitions throughout the year. The following are currently on view:

   
Amitabha

Visualizing Enlightenment: Decoding the Buddhist Iconography

March 20 through July 24, 2015
Visualizing Enlightenment focuses on an exceptional Amitabha (or Amida Buddha) from the Kamakura period (1185-1333) in Japan. Over 6-feet tall, Amitabha is a rare example of such large scale in existence and was executed using the technique yosegi, in which a single image is carved from multiple pieces of wood that are joined together from the inside.

Ikko Style

Ikko Style: The Graphic Art of Ikko Tanaka

April 2, 2015 through August 2, 2015
Focusing on the core of his artistic practice, poster design, Ikko Style will provide a colorful look into how Ikko TANAKA's ideas were visualized and transmitted to a broad audience.

Imran Qureshi

Recent Acquisitions

through June 28, 2015
This small exhibition displays remarkable new acquisitions by USC Pacific Asia Museum. Work by three influential contemporary Pakistani artists—Imran Qureshi, Ali Kazim and Muhammad Zeeshan—have recently been acquired by the museum thanks to generous funding from the museum’s Collectors’ Circle, Pasadena Art Alliance, and the Pakistan Art Council. Providing an interesting and valuable point of connection between the tradition of miniature paintings and contemporary practices, these works add great depth and historic continuity to our collection.

Mountain Landscape by Yamamoto Baiitsu

The View from a Scholar's Studio: Japanese Literati Paintings from Tiezudingzhai Collection

May 15, 2015 through May 15, 2016
Literati culture—the ideal of the scholar-gentleman—provides a thread connecting East Asia. Developed in China by the 11th century as a kind of “alternative” way of life and expression, it is often visualized in paintings of idealized landscapes and in bird-and-flower subjects that symbolize ideal character traits of the scholar-gentlemen. The View from a Scholar’s Studio illustrates how Japanese literati willfully adapted this Chinese culture over two hundred years with a select examples from the private Tiezudingzhai Collection, complemented by works from the USC PAM collection in three complete rotations.

   

 

EXHIBITIONS IN THE PERMANENT GALLERIES

 

Art of Pacific Asia

The Art of Pacific Asia

In the new Orientation Gallery

USC Pacific Asia Museum is pleased to present a new permanent gallery featuring The Art of Pacific Asia. The Museum’s collection features Asian and Pacific Islander artworks spanning 5,000 years, which range from fine and decorative art to popular and folk arts. These objects reflect centuries of trade, creative endeavors, and cultural practices. Visitors to USC Pacific Asia Museum are invited to explore the collections, recognizing that societies develop as part of an interrelated world culture, and that each object in the collection has a story to tell. The Art of Pacific Asia introduces the geography, materials and meaning behind the art which visitors will enjoy throughout all the galleries at USC Pacific Asia Museum.

The Arts of Korea

In the new Gallery of Korean Art

The inaugural exhibition of the newly renovated Gallery of Korean Art, The Arts of Korea, introduces the history and techniques of Korean paintings, textiles, ceramics and other art forms through thematic displays, audio tours and interactive components. One section of the gallery will feature objects grouped according to three different belief systems—Buddhism, Confucianism and Shamanism. These objects will demonstrate their connections to those traditions as well as their broader historical significance. Additional contextual information for some of the works will be provided by various audio and visual aids. A second section of the gallery will examine how contemporary Korean artists draw inspiration from tradition and maintain dynamic connections with centuries of Korean artistic heritage.

The Arts of China

In the Ralph and Angelyn Riffenburgh Gallery

The five themes in the gallery are Philosophical and Religious Ideas, Art and Commerce, Tradition and Innovation, Status and Adornment and “Reading” Symbols. Within each of these sections, multiple objects in different media give the visitor a deeper understanding of the role art has played in Chinese society for centuries. For example, the Tradition and Innovation section will use a combination of contemporary and historic art to show how artists and artisans have responded to and reinterpreted traditions throughout history.