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(April 2007)
Pacific Asia
Museum Membership
Associates Dinner
A lone shakuhachi (Japanese flute-player) serenaded 73 museum Associates and guests as they
arrived in the courtyard on January 31, 2007 for the 23rd annual Associates Dinner.
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| (left) Nancy Neal Davis, Nelson Gibbs. (middle) Standing (l-r): George Brumder, Rochelle Kessler, David Spiro. Seated (l-r): Robert Sunghyuk Sheen, Dawn Ishimaru Frazier, Susan Bishop. (right) Caroline Baker, Ralph Riffenburgh |
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Don Baker, Patricia Johnston |
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James Ludlam, Virgina Cobey |
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Joan Marshall, Catherine Benkaim
&Barbara Timmer |
Georgianna Erskine began the evening by welcoming twelve new Associates including
the Junior Associates, represented by Cecil Ho.
Senior Curator Rochelle Kessler provided an informative and engaging talk on Mother, Warrior: the Great Goddess in Indian Art, describing the museum’s recent acquisition provided through Collectors’ Circle funds.
The festive atmosphere carried on into the galleries where a delicious seated dinner catered by Renaissance Fine Catering was served with custom-selected wines provided
by Mitsuko and Dave Felton. Anne Blomstrom provided floral arrangements in the Ikenobu style. The use of electric tea light candles set on mirrored plates cast a warm glow at the dinner tables, fostering a warm sense of reconnection to Pacific Asia Museum during a period of major renovations
and restorations.
F
or further details on how you can become
an Associate and help support the museum’s
educational and cultural outreach programs,
please contact Development Director David Spiro at ext. 28.
Message from the Campaign Co-Chairs
"The Campaign for the Future has reached an impressive milestone" said Campaign Co-Chair Violet Ouyang. “To date $2.4 million has been received
or pledged toward our goal of $4.2 million. This is a terrific tribute to our many
supporters and their vision for the future of Pacific Asia Museum.”
Unlike many such endeavors, the Campaign is not for new construction but for securing
the museum’s historic building and collections, and for expanding its reach in the community
through engaging programs and exhibitions. “Excellence requires resources,” said Board
Chair and Campaign Co-Chair George Brumder. “The Board of Trustees is committed
to securing the creative mission of the museum and to providing an enduring legacy for
future generations through the Campaign.”
The Campaign’s progress to date has been made possible through a group of key
supporters. Gifts ranging from $1,000 to $300,000 have been received with major
contributions coming from local and national foundations, the museum’s trustees and
overseers, and many of the museum’s closest friends and supporters.
Opened in 1971, Pacific Asia Museum became a reality in large part because of a broad-based
community effort and the encouragement and support of its early founders and benefactors.
These supporters recognized the need for a museum exclusively dedicated to the arts of
Asia and the Pacific Islands and to the preservation of Grace Nicholson’s role as a noted art
collector, dealer and trend setter for the arts both in Southern California and nationwide.
The museum owes its existence to the hard work and dedication of so many people in the
community who believe in the museum’s mission and see a bright future for the arts in
our city. We invite you to join the growing list of donors who have already pledged their
support to the Campaign for the Future.
Campaign Goals: Enhancing Exhibitions and Education Programs
To enhance its visitors’ experience, the
museum will create more interactive and
meaningful exhibitions and education
programs.
Over the next several years, the permanent
collections will be reinstalled in innovative
and engaging ways that place the objects
in their cultural, historical and aesthetic
context. The first of the newly conceived
galleries—the Gallery of Japanese Art—
opened to the public on September 8, 2006.
The presentation of the Japanese collection
through rotating exhibitions now serves as
the model for the reinstallation of the permanent
collections throughout the galleries.
The museum will also create new educational
galleries.
- An Introduction to Asia gallery will
introduce the museum’s collections, the
cultures they represent, and themes that
visitors will encounter throughout the
galleries.
- The Student Gallery will be used once
again for workshops and programs for
students and other museum visitors.
LEADERSHIP GIFTS |
SUPPORTING GIFTS |
Ahmanson Foundation
Ayrshire Foundation
Louisa Martineau Trust
Toshie and Frank Mosher
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Temo and Dogdoe Arjani
Elaine Barchan
Catherine Benkaim
Susan Bienkowski and
Wang Lee
Susan and Robert Bishop
Bruce and Anne Blomstrom
Anita Brandow
Laureen Chang and
Peter Brockett
Lisa and Elton Davis
Nancy Neal Davis
Norman and Nan Flette
Jeanne and Roger Heilman
Sam and Muffy Hunt
Sally and Bill Hurt
Glenn Keller
Rochelle Kessler
Elizabeth Lent
Stephen Lesser, in honor of
Margo and Hans Ries
June and Simon Li
William Lim
Hildegard Lindsay
Alan Long
Joan Marshall
Sally and Ron McKay
Maria McLay
Kurt Meyer and
Pamela Deuel Meyer
Prof. Milton Meyer
Nichi Bei Fujin Kai
Jane Palmer
Kathleen C. Peck
Peggy Phelps
Winn Schey
Gretel and George Stephens
Margaret Stevenson
Louise and Kenneth Tang
Dr. and Mrs. William W. Thayer
Martha and Roy Tolles
Tracy and James Winkler
Maybelle Wolfe
Tana Wong
Donors as of March 31, 2007 |
MAJOR GIFTS |
Georgianna and Paul Erskine
Patricia Ayers Gallucci
Ralph M. Parsons Foundation
Pearl Wang Trust |
KEY GIFTS |
Neta and John Armagost
George and Marilyn Brumder
Sally Daily
Priscilla and Nelson Gibbs
George and Marcia Good
Violet Ouyang
Maiya Penberthy
Tracy Pulvers
Robert Sunghyuk Sheen
Maria Low Way
E. Rhodes and Leona B.
Carpenter Foundation
Getty Foundation
Institute of Museum and
Library Services
National Endowment
for
the Arts
Pasadena Community
Foundation
Weingart Foundation
Anonymous (3) |
ADVANCEMENT GIFTS |
Edgardo and Lucy Arcinue
Peter and Elaine Adams
Ann and Olin Barrett
Margaret and David Barry
Bill and Claire Bogaard
Anna and Dana Bresnahan
Stephen A. Kanter, M.D.
Molly Munger
Setsuko Oka
Joan Payden
Angelyn and
Ralph Riffenburgh
Erika and Ken Riley
Joan and Arnold Travis
Wallis Foundation
Anonymous |
“Pasadena is
a very lucky
city. You have
the Pacific
Asia Museum,
which I
really love.”
Sister Wendy Beckett,
noted art historian |
Improving the Care and Use of the Collections
To preserve its nationally significant collections for future
generations and enhance its capacity to borrow and display
important works from other sources, the museum will ensure
that its galleries and storage areas meet current professional
standards for climate control, lighting, fire safety and security.
The museum will renovate and equip 3,200 square feet of its lowerlevel
storage area, allowing the collection to be safely housed in an
environmentally controlled area. These changes will increase storage
capacity by 50% and give staff improved access to the collections
for various needs, including exhibition development, loans, object
conservation and photographing objects for the museum’s electronic
catalogue database and on-line exhibitions.
In the galleries, new fixtures will allow light levels to be controlled
according to current professional standards. The security system will
also be significantly improved, and a new fire alarm system will be
directly connected to the fire department.

Further Engaging the Community
To provide children, youth, families, adults, students and teachers with a richer understanding
of Asian and Pacific Island cultures, to build bridges across cultures and to
engage underserved communities, the museum will reach new audiences through:
- exhibitions that incorporate a variety of
media and interactive components,
- enhancement of its award-winning website
through new online exhibitions and education
programs,
- increased outreach to the entire community,
including seniors, non-English speaking
children and adults, and lower-income
families,
- new ties with the community through
partnerships with schools, cultural and
civic organizations that both engage new
audiences and invite the community’s
participation in the development of
exhibitions and programs.
These efforts will also help to broaden the
museum’s base of support, ensuring the
financial viability of the institution well into
the future.
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| Marcia Page, Deputy Director for Collections, and Rocio Hernandez, Getty Collections Intern, discuss a painting
in the museum’s permanent collection by contemporary Chinese master Cui Zifan. Artwork: Cui Zifan (b. 1915),
China, Ink and color on paper, Gift of Kevin G. Weis, 1992.47.1 |
“Beautifully produced,
rich in content, this
web site (Visions of
Enlightment) elegantly
captures the spirit
of Buddhism while
providing a wealth
of information in an
engaging, steps-on-the-journey way.”
Media and Technology Committee,
American Association of Museums
Muse Awards |
WAYS TO GIVE |
The goals of the Campaign
will be achieved through the
generosity of the museum’s
donors. There are a number of
ways that gifts may be made. |
WHAT TO GIVE |
| Cash
Appreciated securities (stocks
and bonds which the museum
will be able to convert to cash
upon receipt).
Real estate (a home, vacation
home, rental or commercial
property which the museum
will be able to sell upon receipt). |
WHEN TO GIVE |
Now, with a gift of cash,
appreciated securities or real
estate.
Over a period of time through
a signed pledge agreement
with a fixed payment schedule.
All donors of $1,000 or more
will be acknowledged on a
Campaign Donor Wall at the
museum. In addition, there are
a number of opportunities to
name galleries, education spaces,
and parts of the courtyard in
recognition of leadership gifts
from $25,000 to $1,000,000.
We welcome the opportunity to
discuss your donation and your
philanthropic interests. Please
contact David Spiro, Development
Director, at 626-449-2742
ex. 28 for more information or
to arrange a meeting. |
Donor Profile: Patricia Ayers Gallucci
Patricia Ayers Gallucci’s dedication to the arts and culture of Asia comes from her studies as a young artist in the United States and her unique experiences in post-war Japan.
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| Imari Dish, Japan, Meiji Period (1868-1912), porcelain with underglaze blue and overglaze polychrome enamels, Gift of Patricia Ayers Gallucci in honor of David Kamansky |
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At the end of World War II, her father, a key member of Gen. Douglas MacArthur’s staff, began the critical work of rebuilding Japan. The family joined her father in Tokyo in 1949. Patricia took this opportunity to study Japanese art with the Curator of the Imperial Household Museum, and took private lessons from a renowned Japanese artist.
During the family’s stay in Japan, Patricia began collecting many fine Japanese woodblock prints, Chinese jades, and Qianlong porcelains.
Pacific Asia Museum wishes to thank
Patricia and her husband Michael for their countless contributions over the years. Patricia has chaired the museum’s Exhibitions and Collections Committees and continues to be an active member of the Asso-ciates and the Collectors’ Circle.
Courtyard Garden Project
The Chinese Courtyard Garden at Pacific Asia Museum is a beloved and unique space in Southern California – a splendidly serene oasis of 3,300 square feet providing museum
visitors an environment for quiet reflection.
The Courtyard was considered an integral element to the building when it was constructed
by Grace Nicholson who regularly organized open-air events in the garden and sales of antiques from around the world.
However, the museum’s recent need to waterproof the north foundation wall provided an opportunity to rethink the garden. The museum is especially thankful for the advice of landscape designer Thomas B. Cox who made significant contributions to the hardscaping and lighting design, and also to architect Bob Ray Offenhauser, and June Li, Curator of the Chinese Garden and Jim Folsom, Director of the Botanical Gardens, both of The Huntington Library and Botanical Gardens.
While the renovations and landscaping continue, the results are already revealing the tranquility
of the garden and the wonderful beauty of the building’s architecture. In the garden, you will find the traditional Three Friends – bamboo representing resilience, pine signifying heartiness and the plum tree symbolizing rectitude.
Seasonal flowering plants will also be introduced into the garden and may include camellias, chrysanthemums, narcissus, orchids, and peonies. As we celebrate springtime in Pasadena, the Chinese Courtyard Garden has become “the jewel in the lotus” for all to contemplate and use.
If you would like to make a contribution to the Garden Project, please call David Spiro, Director of Development at 626-449-2742, ext. 28, or use the enclosed envelope.

Be a Docent at Pacific Asia Museum
Docents perform important volunteer work at Pacific Asia Museum, supporting the museum’s
educational mission by leading gallery tours for groups visiting the museum.
Docent training involves a serious commitment to learning about the arts of Asia. No special skills are required; any that are needed will be taught to the newcomer on site.
The Docent Council is now actively recruiting a new class of docents to begin training for the rewarding work of being a Pacific Asia Museum Docent. In addition to a thorough training and course of study, a two-year commitment is required. Orientation is scheduled for May 29, and the training lecture series begins September 18.
Applications are available here (PDF: 63K, 2 pages) or by calling 626-449-2742, ext. 23.
Invitation to Join an Arts Council
Pacific
Asia Museum’s Arts Councils are a great
way to get involved with the museum and to
contribute to the community. The members of the
Arts Councils share an interest in the arts, cultures,
and peoples of Asia and the Pacific Islands. The
councils take trips to interesting places in and
around Los Angeles, organize cultural programs
at Pacific Asia Museum, and provide invaluable
volunteer support and resources for special
events.
For example, Japanese Arts Council is now
assisting the curatorial staff with the Festival of
Japanese Art & Style, and has been involved in
planning the month-long series of events.
Membership in one of the museum’s Arts Councils
is just $25. You must also be a member of
Pacific Asia Museum to join an Arts Council.
There are eight active councils: Chinese, Japanese,
Pakistan, Himalayan, Korean, Philippine,
Myanmar, and Thai.
Call the membership office today at ext. 37 to
learn more about becoming a member of one of
these essential Arts Councils!
Links to Other Institutions
Pacific Asia Museum Membership

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