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(October 2006)
Pacific Asia
Museum Membership
Message from the Campaign Co-Chairs
"The Campaign for the Future has reached an impressive milestone" said Campaign Co-Chair Violet Ouyang. “To date $2.4 million has been received
or pledged toward our goal of $4.2 million. This is a terrific tribute to our many
supporters and their vision for the future of Pacific Asia Museum.”
Unlike many such endeavors, the Campaign is not for new construction but for securing
the museum’s historic building and collections, and for expanding its reach in the community
through engaging programs and exhibitions. “Excellence requires resources,” said Board
Chair and Campaign Co-Chair George Brumder. “The Board of Trustees is committed
to securing the creative mission of the museum and to providing an enduring legacy for
future generations through the Campaign.”
The Campaign’s progress to date has been made possible through a group of key
supporters. Gifts ranging from $1,000 to $300,000 have been received with major
contributions coming from local and national foundations, the museum’s trustees and
overseers, and many of the museum’s closest friends and supporters.
Opened in 1971, Pacific Asia Museum became a reality in large part because of a broad-based
community effort and the encouragement and support of its early founders and benefactors.
These supporters recognized the need for a museum exclusively dedicated to the arts of
Asia and the Pacific Islands and to the preservation of Grace Nicholson’s role as a noted art
collector, dealer and trend setter for the arts both in Southern California and nationwide.
The museum owes its existence to the hard work and dedication of so many people in the
community who believe in the museum’s mission and see a bright future for the arts in
our city. We invite you to join the growing list of donors who have already pledged their
support to the Campaign for the Future.
Campaign Goals: Enhancing Exhibitions and Education Programs
To enhance its visitors’ experience, the
museum will create more interactive and
meaningful exhibitions and education
programs.
Over the next several years, the permanent
collections will be reinstalled in innovative
and engaging ways that place the objects
in their cultural, historical and aesthetic
context. The first of the newly conceived
galleries—the Gallery of Japanese Art—
opened to the public on September 8, 2006.
The presentation of the Japanese collection
through rotating exhibitions now serves as
the model for the reinstallation of the permanent
collections throughout the galleries.
The museum will also create new educational
galleries.
- An Introduction to Asia gallery will
introduce the museum’s collections, the
cultures they represent, and themes that
visitors will encounter throughout the
galleries.
- The Student Gallery will be used once
again for workshops and programs for
students and other museum visitors.
LEADERSHIP GIFTS |
KEY GIFTS |
Georgianna and Paul Erskine
Patricia Ayers Gallucci
Toshie and Frank Mosher
Ahmanson Foundation
Ayrshire Foundation
Louisa Martineau Trust
Ralph M. Parsons Foundation
Pearl Wang Trust
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Peter and Elaine Adams
Edgardo and Lucy Arcinue
Temo and Dogdoe Arjani
Margaret and David Barry
Bruce and Anne Blomstrom
Bill and Claire Bogaard
Anita Brandow
Anna and Dana Bresnahan
Nancy Neal Davis
Sam and Muffy Hunt
Sally and Bill Hurt
Stephen A. Kanter, M.D.
Rochelle Kessler
Elizabeth Lent
June and Simon Li
William Lim
Alan Long
Joan Marshall
Maria McLay
Nichi Bei Fujin Kai
Setsuko Oka
Kathleen C. Peck
Peggy Phelps
Tracy Pulvers
Angelyn and Ralph Riffenburgh
Winn Schey
Martha and Roy Tolles
Joan and Arnold Travis
Maria Low Way
Donors as of September 22, 2006 |
MAJOR GIFTS |
Neta and John Armagost
George and Marilyn Brumder
Sally Daily
Priscilla and Nelson Gibbs
George and Marcia Good
Violet Ouyang
Maiya Penberthy
Robert Sunghyuk Sheen
Anonymous
E. Rhodes and Leona B. Carpenter
Foundation
Getty Foundation
Institute of Museum and
Library Services
National Endowment for the Arts
Pasadena Community
Foundation
Weingart Foundation
|
“Pasadena is
a very lucky
city. You have
the Pacific
Asia Museum,
which I
really love.”
Sister Wendy Beckett,
noted art historian |
Improving the Care and Use of the Collections
To preserve its nationally significant collections for future
generations and enhance its capacity to borrow and display
important works from other sources, the museum will ensure
that its galleries and storage areas meet current professional
standards for climate control, lighting, fire safety and security.
The museum will renovate and equip 3,200 square feet of its lowerlevel
storage area, allowing the collection to be safely housed in an
environmentally controlled area. These changes will increase storage
capacity by 50% and give staff improved access to the collections
for various needs, including exhibition development, loans, object
conservation and photographing objects for the museum’s electronic
catalogue database and on-line exhibitions.
In the galleries, new fixtures will allow light levels to be controlled
according to current professional standards. The security system will
also be significantly improved, and a new fire alarm system will be
directly connected to the fire department.

Further Engaging the Community
To provide children, youth, families, adults, students and teachers with a richer understanding
of Asian and Pacific Island cultures, to build bridges across cultures and to
engage underserved communities, the museum will reach new audiences through:
- exhibitions that incorporate a variety of
media and interactive components,
- enhancement of its award-winning website
through new online exhibitions and education
programs,
- increased outreach to the entire community,
including seniors, non-English speaking
children and adults, and lower-income
families,
- new ties with the community through
partnerships with schools, cultural and
civic organizations that both engage new
audiences and invite the community’s
participation in the development of
exhibitions and programs.
These efforts will also help to broaden the
museum’s base of support, ensuring the
financial viability of the institution well into
the future.
 |
| Marcia Page, Deputy Director for Collections, and Rocio Hernandez, Getty Collections Intern, discuss a painting
in the museum’s permanent collection by contemporary Chinese master Cui Zifan. Artwork: Cui Zifan (b. 1915),
China, Ink and color on paper, Gift of Kevin G. Weis, 1992.47.1 |
“Beautifully produced,
rich in content, this
web site (Visions of
Enlightment) elegantly
captures the spirit
of Buddhism while
providing a wealth
of information in an
engaging, steps-on-the-journey way.”
Media and Technology Committee,
American Association of Museums
Muse Awards |
WAYS TO GIVE |
The goals of the Campaign
will be achieved through the
generosity of the museum’s
donors. There are a number of
ways that gifts may be made.
|
WHAT TO GIVE |
| Cash
Appreciated securities (stocks
and bonds which the museum
will be able to convert to cash
upon receipt). Real estate (a home, vacation
home, rental or commercial
property which the museum
will be able to sell upon receipt). |
WHEN TO GIVE |
Now, with a gift of cash,
appreciated securities or real
estate.
Over a period of time through
a signed pledge agreement
with a fixed payment schedule.
All donors of $1,000 or more
will be acknowledged on a
Campaign Donor Wall at the
museum. In addition, there are
a number of opportunities to
name galleries, education spaces,
and parts of the courtyard in
recognition of leadership gifts
from $25,000 to $1,000,000.
We welcome the opportunity to
discuss your donation and your
philanthropic interests. Please
contact David Spiro, Development
Director, at 626-449-2742
ex. 28 for more information or
to arrange a meeting. |
Donor Profile: Setsuko Oka
Among the donors to the “quiet phase” of the Campaign
for the Future are a number of
members of a very special part
of the museum family—the
docents. Setsuko Oka became
provisional docent in 1993 and
after completing the vigorous
training, she began leading
student tours of the museum in 1994.
Setsuko, an educator by profession, has always
had an interest in archaeology, anthropology and
art, with a particular affinity for Japanese art. Her
greatest travel experiences have been in museums
all over the world, which she says are repositories
for getting to know the people, history and culture
of other countries. For her, Pacific Asia Museum is
a wonderful resource for knowledge that students
don’t get in the classroom. She is currently Chair
of the Docents’ Educational Resources Committee,
developing thematic tours that correlate the students’
experience in the museum with the curriculum that is
being taught in classrooms today.
Some of her creative efforts as a docent were the
educational exhibitions she and fellow docent Alice
Stewart curated in the Student Gallery. These were
designed to provide school groups with introductions
to a succession of changing exhibits by illuminating
the themes and cultural traditions behind the works
of art in the exhibits. Disappointed when this space
had to be converted to collections storage several
years ago, she was reassured to learn that, as part of
the Campaign, the Student Gallery will reopen as an
interactive educational space in 2007.
Setsuko has contributed toward the renovation of
the Gallery of Japanese Art and has committed her
support for ongoing exhibitions and programs in the
Gallery. The museum is proud and grateful to have
her support.
Invitation to Join an Arts Council
Pacific
Asia Museum’s Arts Councils are a great
way to get involved with the museum and to
contribute to the community. The members of the
Arts Councils share an interest in the arts, cultures,
and peoples of Asia and the Pacific Islands. The
councils take trips to interesting places in and
around Los Angeles, organize cultural programs
at Pacific Asia Museum, and provide invaluable
volunteer support and resources for special
events.
For example, Japanese Arts Council is now
assisting the curatorial staff with the Festival of
Japanese Art & Style, and has been involved in
planning the month-long series of events.
Membership in one of the museum’s Arts Councils
is just $25. You must also be a member of
Pacific Asia Museum to join an Arts Council.
There are eight active councils: Chinese, Japanese,
Pakistan, Himalayan, Korean, Philippine,
Myanmar, and Thai.
Call the membership office today at ext. 37 to
learn more about becoming a member of one of
these essential Arts Councils!
Links to Other Institutions
Pacific Asia Museum Membership

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